Then you shall sound the horn loud…on the Day of Judgement,
Rosh Hashanah, you shall have the shofar sounded throughout
your land.
—Leviticus 25:9 (para)
 
…merely being there means something.
—John Ashbery, "Some Trees"
This year, I forgot the holiday. I had no round challah,
no crisp apples dipped in honey, no old Artie sounding
the shofar, no glad-hands at the door of shul, or rabbinic tales
 
of Isaac born and bound, the ram slain in his place. I even
neglected making amends with wronged friends.
 
So, what did I do instead? I wrote a poem, picked
a small bucket of blackberries, drew blood doing so.
 
It’s easy to forget we’re hurtling through space. Neither the planet
nor we return to the same place. But rituals do come around
with or without me. Lovers leave, mothers die, leaves fall
 
and there it is: an innocent ram was slaughtered
so I could hear Artie blast the horn. And, yes, I do
 
miss the honey dripping from my lips and remember,
that the chances to ask for forgiveness are few.
I remember that bite like waking from
dope-dosed dream of Eden
 
where I walked naked as a snake—
in a place heavy with the heat of the hims
 
who made the rules, the weight of snakes
serpenting from trees, the incurious critters
 
who’d stare at each other not knowing what
to eat, what was food and what was friend.
 
In my pulsing recesses, uterine and gravid
I knew all had to change,
 
the promise to all the creatures was false:
that they could thrive on every fruit
 
that fell from the trees. The beasts
with carnassial teeth were hungry
 
for flesh, the ones with hands were eying
for things to grab, the penised ones
 
would show their potency, would howl
at their own arousal, come
 
closer and closer to me in that fever. So
I climbed the knowledge tree, ate the one thing
 
forbidden me, awoke anew to the to the detuned
orchestra of parrots and panthers. An emerald
 
hummingbird flitted to my ear, whispered to me
in her own language. I looked up, grabbed
 
a corner of the fabric of that place, turned it inside out
and wore it as a splendid dress that fit like clematis
 
vines twining a trellis of my making, like
a womb fits a fetus, like water fits a river.
Dick Westheimer lives in rural southwest Ohio. He is a Rattle Poetry Prize finalist. His poems have recently appeared in Whale Road Review, Innisfree Journal, Gyroscope Review, Banyan Review, Rattle, Ritual Well, One Art, and Cutthroat. His chapbook, A Sword in Both Hands, Poems Responding to Russia’s War on Ukraine, was published by SheilaNaGig. More can be found at www.dickwestheimer.com.