The moon, that unblinking eye in the sky watches
warily as I tiptoe downstairs on icy feet
to sneak the treats my mother won’t allow
me to eat: Ring Dings, Yodels, Oreos, Devil Dogs,
Nutty Buddies, all bought for my sliver
of a brother and strictly forbidden
to me, the daughter who was told only
this morning, “Do yourself a favor and lose
a little weight,” my father brandishing his butter
knife and scowling at the untouched pancake
plopped across my breakfast plate. “Eat, Mameleh,
I don’t need all this,” said my grandmother who tried
to foist her food onto me, my father, my brother,
my mother, and failing to do so, lowered her dish
down to the floor to feed the dog
who happily obliged her. But I knew better
than to eat today of all days, the day my mother
drags me to the doctor’s office, where I am stripped
of everything but my shame and made to stand
on a cold, heartless scale as the doctor narrows
his eyes and slides a metal marker up up up
past fifty pounds, sixty pounds, seventy,
eighty, ninety pounds, stopping just shy
of the dreaded century mark.
The doctor sighs, my mother sighs,
the scale sighs as I step off,
dress, and wait while my mother
and the doctor discuss the disgustingness
of me, whose only crime is living
in a body that just won’t quit
growing, blooming, blossoming, bursting
into something monstrous as The Hulk
stomping through my brother’s comic books
no matter how much I deny it.
And now at last it is midnight and I am lightly
floating through the dark, creeping closer
and closer to the quiet kitchen
with its hidden treasures huddled
together behind the Frigidaire’s door.
But as I put one foot across the threshold
I see something that stops me cold,
my grandmother hunched over the counter
next to the sink, her bulky body covered
in a flowered housecoat (Grandma, why
do you wear a coat in the house?)
her flat feet stuffed into scruffy slippers
that were once bright green but are now dull gray,
the bald spot at the crown of her head glowing
like a distant star. In one hand she holds
a silver knife that glints in the moonlight,
her other hand pinning something huge
mottled, and unmoving to my mother’s
worn wooden cutting board.
I know I should not be seen
seeing this so I turn to go as my grandmother
who is deaf but hears everything turns
to me. To my surprise she smiles,
and then without a word goes back to hacking
off bite-sized pieces of the mound of marbled
muscly meat lolling before her, the pink part
of the cow no one else in the family
can stomach but tastes sweeter
to my grandmother than chocolate tastes
to me. Once more she turns from the counter, dangling
a boiled bumpy-edged slimy slice from the tip of her blade
and I take it, knowing this is our delicious salty secret:
my grandmother and I remaining mum,
as we silently, greedily both bite our tongue.
Lesléa Newman has created 85 books for readers of all ages including the dual memoir-in-verse, I Carry My Mother (Headmistress Press, 2015) and I Wish My Father (Headmistress Press, 2021), the novel-in-verse, October Mourning: A Song for Matthew Shepard (Candlewick Press, 2012), and the children’s books, The Babka Sisters (Kar-Ben Publishing, 2023), Welcoming Elijah: A Passover Tale With A Tail (Charlesbridge, 2020), and Ketzel, the Cat Who Composed (Candlewick Press, 2015). Her literary awards include poetry fellowships from the National Endowment for the Arts and the Massachusetts Artists Foundation, two National Jewish Book Awards, two American Library Association Stonewall Honors, the Association of Jewish Libraries Sydney Taylor Body-of-Work Award, and the Massachusetts Book Award. Her newest children’s book, Joyful Song: A Naming Story (Levine Querido, 2024), celebrates the arrival of a new baby into a Jewish two-mom family. Information about her work can be found at www.lesleanewman.com.